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slavery to the present day through the real-life story of a record-shattering racehorse trained by an enslaved groom. Jennifer Egan’s The Candy House(Scribner, Apr.) uses a spliced-narrative structure to imagine a new technology that allows users to access and share all their memories. Andrew Sean Greer’s Less Is Lost (Little, Brown, Sept.) reveals what the protagonist of Less is stumbling through next, while Elif Batuman’s Either/ Or(Penguin Pr., May) reveals what the protagonist of The Idiot is stumbling through next. Geraldine Brooks’s Horse (Viking, Jun.) tracks the impact of U.S. by Krishna Winston), the bee-stung protagonist searches for the Fruit Thief in travels both actual and metaphorical. Jennifer Croft) offers a fictionalized portrait of enigmatic 18th-century Polish religious leader Jacob Frank. In Peter Handke’s The Fruit Thief: Or, One-Way Journey into the Interior (Farrar, Mar., tr. Toni Morrison’s Recitatif: A Story(Knopf, Feb.) is the stand-alone appearance of the only short story Morrison ever wrote. Olga Tokarczuk’s The Books of Jacob (Riverhead, Feb., tr. In its third annual books preview, LJ presents 445 titles in fiction, nonfiction, and poetry, with the titles revealing strong parallels in how writers across genres are approaching our turbulent world.Ībdulrazak Gurnah’s Afterlives (Riverhead, Aug.) uses a multigenerational saga to depict the brutal colonization of East Africa.
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